The Oldest Man In The World Is A Nigerian

The white man can never get tired of discovering something.

Ever since Mungo Park discovered the River Niger, every white man flies into Nigeria with the aim of making a discovery or two or three.

Just the other day, after the election of the Dancing Governor, some white men flew into Nigeria to put on record the life and times of a man whom they adjudged, after some discovery expedition, to be the oldest living man in the world.

One suya for them!

The white discoverers came with the most modern cameras, television monitors, high-tech lighting, super-duper supercomputers, and sundry gizmos and gadgets.

There was so much talk of having the old Nigerian enshrined permanently in the coveted Guinness Book of World Records as the oldest living hominoid north and south of the hemisphere.

The white explorers set up their equipment on the frontage of a nondescript bungalow in the Ikate suburb of Lagos, Nigeria, where I presided as the Obi of Ikate.

The oldest living mortal of white discovery was summoned to sit upright on a cane chair, with plenteous klieg lights shining on his woebegone face.

“Pa, why have you lived this long?” the foreign interviewer fired the first question.

“Unlike most Nigerians, I don’t drink alcohol, I don’t smoke, and I don’t do Womanology,” answered the old man.

“Womanology!” screamed the interviewer, his pointed nose shooting up and his equally pointed jaw almost dropping. “That’s a new one. Can you explain the terminology to us? I mean Womano…”

“Womanology is a rabid disease of the Nigerian he-goats called men,” said the old papa. “I don’t go to the other room at all! I have no interest whatsoever in breasts and buttocks and the aperture underneath!”

Just then, a loud commotion emanated from the back of the house. There were sounds of breaking bottles and wild screams of unprintable curse words.

“What’s the cause of that?” asked the frightened white interviewer, pointing toward the back of the house from whence cometh the brouhaha.

“It must be my elder brother,” replied the old one, shaking his head. “Every day he wastes his life smoking and drinking – and any night without a woman is for him a funeral!”

“So you do have an older brother?” the interviewer queried, unbelieving.

“Yes,” said the old man. “He is a disgrace to the family!”

“Aaaaah!” cried the interviewer. “So, you have an elder brother who is the direct opposite of you? A boozer and a brawler and a crawler! He is the interesting old man to interview. Get thee away from me for we have now discovered the real and true oldest man!”

The interviewer was about to dash into the house when the old brawler came bounding out, almost pushing the excited white man to the ground.

The irrepressible old brawler was being grabbed at heatedly by a half-clad middle-aged woman. It was total commotion writ large between the old banger and his harlot-of-the-night.

“Pay me my money!” screamed the nearly naked irate woman at the brawler.

“Sweet me, sweet you, who go pay?” the old brawler screamed back at the lady, mightily struggling to disengage himself from her vice-like grip.

“Shameless old rake!” The woman was still screaming, eyes flashing red.

The old brawler took his time to look at the gathered white men in turn, and then queried: “White men, what are you doing here with this my bloodless brother?”

“We thought he was the oldest man until we discovered you…” the white interviewer was saying.

“How can a bloke who doesn’t drink beer and dig bushy holes grow in age?” the old brawler interjected, quaking with laughter and hollering. “More rounds, more years!”

The white men looked at one another in wonder, and even the fighting lady was somewhat relaxing his hold on the blithe old man.

“My brother is the perfect example of how not to be alive,” the old brawler was saying, looking from the white men to his brother while avoiding the woman gripping him.

“Let’s talk,” said the white interviewer, closing in on the rugged old brawler.

“Let’s get to the bar at Divine Parish and I will talk,” the man said, gesturing that the white men should follow him to his regular watering hole. “Booze is a Nigerian!”

“You are going nowhere without paying me my money!” the lady cried, tightening her grip on the departing old brawler.

“We shall pay you in his stead,” one of the white men said to the lady. “How much is it?”

“Get me all the Naira in my wallet,” said the interviewer. “We have to pay her.”

“Nobody eats my chocolate on credit!” howled the woman, still grasping at the brawler.

“You are shit!” the old brawler shouted back at the woman, unrelenting, as ever determined to have the last word. “You told me you were chocolate but there’s no sweetness in you! Nigerian chocolate is shit! That’s why our dogs eat the damn thing!”

“Shameless old dog!” yelled the woman, stretching out a hand to be paid by the white men. “Cuddling is not in your dictionary. Any lady that tries to cuddle with you must collect one round!”

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Uzor Maxim Uzoatu
Uzor Maxim Uzoatu
Uzor Maxim Uzoatu is the author of God of Poetry, Satan's Story, A Play of Ghosts and The Missing Link. A 2008 Caine Prize for African Writing nominee, he wrote the text for Scottish photographer Owen Logan's caricature of Michael Jackson's visit to Nigeria entitled Masquerade. He lives in Lagos and is married with children.

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